Types of Criticism and Literary Movements in Short Stories :: Free Essay Writer

Types of Criticism and Literary Movements in Short Stories The short story dates back as early as the 14th Century. It offers what a novel or the equivalent would offer but it has a swiftness and completeness about it. According to Ruby Redinger, the short story is most powerful through graphic narration (752). The short story has captured a diverse group of things from the supernatural to an everyday occurrence. Nearly any situation can be worked into a short story if the right writer is managing the idea. The first masters of the short story in the eyes of Redinger were Boccaccio, Decameron, and Chaucer, Canterbury Tales (752). These stories were both written during the 14th Century. During the Renaissance period the short story lost its edge and writers’ attempts to do what Boccaccio and Chaucer had done failed. In the 19th Century America was the first to declare the short story as a literary form. During this time the authors Edgar Allan Poe, Washington Irving, and Nathaniel Hawthorn contributed to the survival of the short story . During this timeframe realism, romanticism, and impressionism were the more common literary movements. The short story can also use many other forms and types of criticism to describe it. A few different forms are surrealism, Dadaism, Imagism, Romanticism, and many others. The satire is both a type of literature and a literary manner. It has an early history in poetry as a genre. C. Hugh Holman states that it originated in the 2nd Century B.C. by Roman satirist Lucilius and later practiced by Horace, Persius, Juvenal, and Quintilian (294). A satire is more frequently a literary manner in which the imperfections of a person, entire mankind, or an institution are ridiculed with the intention of correcting them. Satire is also applied to magic songs and ritualistic incentives in Greek, Old Irish, and Arabic literatures, where the ritual curse was believed to have powerful effects. The satire is often confused with the satyr play of Greek drama and coarse comic manner. This has influenced and confused the ideas about a satire in English literature. Although the satire is often comic, its primary object is not to provoke general laughter but to provoke laughter for corrective purposes. The satire always has a target, which is held up to mock upon the satiri st’s unveiling. The satirist’s viewpoint is nearly that of the cold-eyed realist, that penetrates shame and pretense for a didactic reason.